NOTE: The Outlaw’s Bride is a rewrite of The Stagecoach Bride that I originally wrote with Stephannie Beman.
The Outlaw’s Bride (Book 1)
Lillian Christian had a simple plan…
All she had to do was sneak out of Virginia before her brother forced her to marry a man in order to get money. She was nothing but a commodity for her brother to sell, and she wasn’t going to have any part in it. So she answered Charles’ mail-order bride ad and headed for an untamed land where she could take on a whole new identity.
But plans don’t always go as expected…
On her way to marry her intended, a group of masked outlaws descend upon the stagecoach. And they are looking specifically for her.
Mic has a plan of his own…
The last thing Mic Gray wants to do is scare Lillian, but kidnapping her is the only way to stop her from marrying Charles. Mic’s face might be on the Wanted posters, but Charles is the real criminal in town. Only Mic’s lack of money and influence prevents him from proving it. The only way to keep Lillian safe is to become her husband.
All he has to do is convince her he’s worth marrying.
Can he get her to go with his plan?
The Rancher’s Bride (Book 2)
Sometimes the right person comes at the worst possible time…
Having suffered through the horrors of the Civil War, ex-doctor Thayne Jackson believes he’s the worst possible candidate for marriage. He has chosen, instead, to live a quiet and peaceful life raising his orphaned niece. But when a beautiful young woman with a two-year-old boy shows up injured in his barn, everything changes.
Abby Gray has one mission: to get Lloyd back to his father. She must not get distracted by the fact that Thayne is kind and honorable, and she must certainly not dwell on her growing attraction toward him. Once she’s healed, she has to leave. She can’t stay at this ranch and make a life with him and his niece. There’s no “ifs, ands, or buts” about it.
Except there’s a ten-year-old matchmaker in their midst who is determined to get the two of them together. And she’ll come up with an assortment of creative ways to do it.
The Fugitive’s Bride (Book 3)
(This is the last book in the series.)
Ever since Wade Gray lost his ranch and his son, he’s had one mission: get both of them back. After a year, he has his son. Now it’s time to get the ranch. With all his careful planning, he realizes he might not make it back. He’s up against a ruthless enemy who’ll kill anyone who gets in his way.
In order to secure his son’s future, he rushes to marry Millie Washington, the woman he rescued on the same night he and his family got his son back. Love doesn’t factor into the equation. Love didn’t factor into his first marriage, either. He married his first wife to rescue her from a life of prostitution and abuse, and the arrangement never led to love. So to him, marriage is a logical decision based on what can benefit both people. In this case, he can offer Millie a place to live, and she’ll be the mother to his son. It’s as simple as that.
But marriage to Millie isn’t like what he had with his first wife. Millie isn’t weighed down by a harsh past. She has an innocent way of looking at the world that becomes a welcome relief after all he’s been through. In the rugged Wyoming Territory, she’s the only pleasant thing that exists.
This poses a very difficult proposition for him. Feelings get in the way of doing what’s necessary. And he can’t afford for anything to get in his way.
This is Jeremiah’s romance